
Íslensk Sakamál
RÚV, 2024 — Six-episode Icelandic true crime series exploring historical and modern criminal cases
Quick facts
What Is the Series About?
Íslensk Sakamál — translating directly from Icelandic as Icelandic Criminal Cases — is a six-episode true crime documentary series that premiered on Icelandic public broadcaster RÚV on March 6, 2024. Hosted by investigative journalist Sigursteinn Másson, the series takes a sweeping approach to Icelandic criminal history, dedicating individual episodes to separate cases rather than following a single investigation across its run. The result is something closer to a criminal anthology — a guided tour through the darkest corners of Icelandic legal and social history, presented by one of the country's most recognized names in investigative journalism.
The series title is deceptively simple. Sakamál means criminal cases or criminal matters in Icelandic, and the show lives up to that broad mandate. From centuries-old killings rooted in folklore to crimes of more recent vintage, the series positions itself as essential viewing for anyone curious about how Iceland — a nation globally celebrated for its low crime rates and high quality of life — has nonetheless produced its own catalogue of violence, deception, and tragedy.
The Cases
The most historically significant case featured in Íslensk Sakamál is that of Axlar-Björn, widely regarded as Iceland's first documented serial killer. As explored in depth by The Reykjavík Grapevine, Axlar-Björn — whose full name has not survived in historical records — operated in the late 15th century, approximately between 1470 and 1480. He is believed to have murdered at least 12 people in the remote region stretching between the Snæfellsjökull glacier and Búðakirkja on Iceland's Snæfellsnes Peninsula, burying the bodies of his victims at his farm at Öxl.
The modus operandi attributed to Axlar-Björn involved luring travelers and passersby to his farm — a common stopover point in a sparsely populated landscape where hospitality and shelter were necessities — before killing them, often for their possessions. In a country where violent crime was rare and communities were small and isolated, the scale of his alleged crimes was staggering. He was eventually captured and executed by local authorities, though no formal written trial record from the period survives, blending the historical record with oral tradition and legend.
Axlar-Björn's legacy in Icelandic culture is considerable. He has been the subject of novels, theatrical productions, and now documentary examination. His inclusion in Íslensk Sakamál grounds the series in Iceland's deep historical past while underscoring the show's central thesis: that Iceland's relationship with crime is older, stranger, and more compelling than its modern reputation might suggest.
Beyond the Axlar-Björn episode, the series covers additional criminal cases drawn from different periods of Icelandic history. Specific details about the perpetrators, victims, and dates of these remaining episodes have not been made widely available in English-language sources as of mid-2026, suggesting the series is primarily aimed at an Icelandic-speaking domestic audience with existing familiarity with the cases referenced.
Production
Íslensk Sakamál was produced for and broadcast by RÚV, Iceland's national public service broadcaster, the equivalent of the BBC in the United Kingdom or PBS in the United States. RÚV has a long history of producing documentary and current affairs programming, and the true crime genre represents a natural extension of its journalistic mandate.
The series is hosted — and in effect guided — by Sigursteinn Másson, a veteran investigative journalist whose credibility lends the production its authoritative tone. No director has been officially credited in available public sources, which is not uncommon for broadcaster-produced documentary series of this type, where editorial and journalistic leadership may take precedence over traditional cinematic direction credits.
The production language is Icelandic throughout, with no English dubbing or subtitling confirmed in available sources. This limits the series' international accessibility, though it also reflects its intended audience: Icelandic viewers with a genuine interest in their country's criminal past. The IMDb listing for the series confirms the basic metadata but provides minimal additional production detail, consistent with a domestically focused public broadcaster release rather than a globally distributed streaming title.
Reception
As of mid-2026, Íslensk Sakamál has not accumulated a formal IMDb rating, and no major English-language critical reviews of the series have been published. This is consistent with the series' domestic focus and Icelandic-language presentation, which would naturally limit its reach in international true crime media coverage.
Within Iceland, the series appears to have been well-received among true crime enthusiasts, filling a gap in Icelandic-language documentary content dedicated specifically to the country's own criminal history. The broader true crime boom of 2024 — which saw a global surge in documentary series examining historical and contemporary crimes — provided a favorable cultural backdrop for the series' release.
No significant controversies, legal challenges, or ethical disputes related to the production or broadcast of Íslensk Sakamál have been reported in available sources.
The Cases Today
In the case of Axlar-Björn, the historical record is closed. Executed some five centuries ago, he exists now as a figure of Icelandic cultural memory — part history, part legend. Archaeological interest in the Öxl Farm site has persisted over the years, but no new forensic investigation is known to have been prompted by the documentary series.
For the more recent cases featured in later episodes, no updates or post-broadcast legal developments have been documented in publicly available English-language sources. If any of the series' episodes touch on cases with ongoing legal dimensions — appeals, cold case reviews, or parole considerations — those details remain within Icelandic-language media coverage not yet indexed for international audiences.
What Íslensk Sakamál accomplishes, regardless of the status of its individual cases, is the preservation and popularization of Icelandic criminal history for a new generation of viewers — and a reminder that no society, however peaceful its present, is without its shadows.


